The "boxes" as Patricia Nix often calls her painted constructions are "just like paintings except that you use real objects instead on recreating them in oil." By 1981 Nix was beginning to identify certain objects and symbols that appeared and reappeared in her work. At times, she thought, the boxes almost created themselves without conscious effort on her part. In fact, although the gathering of components was gradual and often governed by availability or whim, the boxes were occasionally assembles deliberately, with the artist well aware of the compositional and metaphorical relationships.
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Patricia Nix, Rococo for Cockatoo, 2017
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Patrica Nix, Through A Glass Darkly, 1989
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Patricia Nix, Fat Girl, 1984
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Patricia Nix, Stairway to the Stars , 1984
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Patricia Nix, Anatomy of Lower Egypt, 1983
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Patrica Nix, Voile, 1983
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Patricia Nix, Magico, 1982
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Patricia Nix, Trumpeteers, 1980
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Patricia Nix, Beauty and the Beast, 1979
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Patricia Nix, Mother & Child, 1979
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Patricia Nix, Sterilizer, 1979
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Patricia Nix, Toy Shop, 1979
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Patricia Nix, Bulldog on a Tigh Rope, 1978
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Patricia Nix, At the Window
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Patrica Nix, Circus
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Patrica Nix, Circus Maximus small
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Patrica Nix, Gal Baby
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Patrica Nix, Mother Love
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Patrica Nix, Remembrance I
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Patrica Nix, Snow Queen
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Patrica Nix, Sonata
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Patrica Nix, Spectators at the Crucifixion
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Patrica Nix, Surrender
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Patrica Nix, The Temptation of Saint Anthony
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Patrica Nix, Three Graces
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Patrica Nix, Time
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Patrica Nix, Times and Places
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Patrica Nix, Treasures
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Patrica Nix, Untitled
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Patrica Nix, Untitled